MAGIC SQUARE: Calculate A-B+C
[6201] MAGIC SQUARE: Calculate A-B+C - The aim is to place the some numbers from the list (1, 2, 3, 7, 8, 9, 24, 25, 26, 66, 67) into the empty squares and squares marked with A, B an C. Sum of each row and column should be equal. All the numbers of the magic square must be different. Find values for A, B, and C. Solution is A-B+C. - #brainteasers #math #magicsquare - Correct Answers: 10 - The first user who solved this task is Nílton Corrêa de Sousa
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MAGIC SQUARE: Calculate A-B+C

The aim is to place the some numbers from the list (1, 2, 3, 7, 8, 9, 24, 25, 26, 66, 67) into the empty squares and squares marked with A, B an C. Sum of each row and column should be equal. All the numbers of the magic square must be different. Find values for A, B, and C. Solution is A-B+C.
Correct answers: 10
The first user who solved this task is Nílton Corrêa de Sousa.
#brainteasers #math #magicsquare
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One night, a man on his way...

One night, a man on his way home happened upon a drunk, down on his hands and knees searching for something under a street light. The man asked the drunk what he was looking for so diligently and the drunk said he had tripped and his Rolex wrist watch had broken loose from his wrist. The man, being a kindhearted soul, got down on his hands and knees and began assisting the drunk looking for his watch. After about ten minutes without any success, the man asked the drunk exactly where he tripped. "About a half a block up the street," the drunk said. "Why, pray tell," the man asked the drunk, "are you looking for your watch here if you lost it a half a block up the street?" The drunk replied, "The light is a lot better here."

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Vincenzo Galilei

Died 2 Jul 1591 (born 1520). Italian music theorist, lutenist and composer, who as the father of Galileo Galilei, adopted experimentation to prove aspects of acoustics, and may thus have influenced his son, Galileo, away from pure, abstract mathematics and towards making experiments and investigation. Vincenzo's discoveries in acoustics included some of the physics of vibrating strings and columns of air. In particular he was the first to show that the ratio of an interval was proportional to string lengths but varied as the square of the tension applied to the strings and as the cubes of volumes of air. He recognized the superiority of equal tempered tuning and compiled a codex of pieces illustrating the use of all 24 major and minor keys as early as 1584.
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