MAGIC SQUARE: Calculate A*B*C
[3327] MAGIC SQUARE: Calculate A*B*C - The aim is to place the some numbers from the list (7, 9, 13, 25, 27, 31, 54, 56, 60, 63) into the empty squares and squares marked with A, B an C. Sum of each row and column should be equal. All the numbers of the magic square must be different. Find values for A, B, and C. Solution is A*B*C. - #brainteasers #math #magicsquare - Correct Answers: 27 - The first user who solved this task is Allen Wager
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MAGIC SQUARE: Calculate A*B*C

The aim is to place the some numbers from the list (7, 9, 13, 25, 27, 31, 54, 56, 60, 63) into the empty squares and squares marked with A, B an C. Sum of each row and column should be equal. All the numbers of the magic square must be different. Find values for A, B, and C. Solution is A*B*C.
Correct answers: 27
The first user who solved this task is Allen Wager.
#brainteasers #math #magicsquare
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Earning His Stripes

A young reporter went to a retirement home to interview an aged but legendary explorer. The reporter asked the old man to tell him the most frightening experience he had ever had. The old explorer looked into the distance and warmed to his task.

“Once, I was hunting Bengal tigers in the jungles of India,” he began: “I was on a narrow path and my faithful native gun bearer was behind me. Suddenly, the largest tiger I've ever seen in my life leaped onto the path in front of us. I turned to get my weapon only to find my gun bearer had fled. The tiger leaped toward me with a mighty ROARRRR! I soiled myself."

“Under those circumstances, sir, I think anyone would have done the same," the reporter said.

The old explorer replied: "No, not then -– just now when I went 'ROARRRR!'”

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Fox Talbot photographic process

In 1839, Henry Fox Talbot read a paper before the Royal Society, London, to describe his photographic process using solar light, with an exposure time of about 20 minutes: Some Account of the Art of Photogenic Drawing or the Process by which Natural Objects may be made to Delineate Themselves without the Aid of the Artist's Pencil. He had heard that Daguerre of Paris was working on a similar process. To establish his own priority, Fox Talbot had exhibited “such specimens of my process as I had with me in town,”the previous week at a meeting of the Royal Institution, before he had this more detailed paper ready to present.«
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